Showing posts with label peer to peer. Show all posts
Showing posts with label peer to peer. Show all posts

Monday, August 08, 2011

How riots spread - expressed through the medium of dance

Brixton Footlocker - the morning after (via linniekin, Flickr)
There are two things of significance for me about the London Riots of the last couple of nights (and as I write I hear they have extended to a third night).
The first is how they have been reported; by citizen witnesses; by journalist witnesses and finally as edited by news orgs.

Citizens have delivered a tapestry of fear, anger, concern... reality; Journalists a cooller detachment which lacks the white heat emotion of engagement; News orgs a filtered, cooled, emaciated version of 'the validated truth'.

Always ask whose truth you gaze upon. I may not be able to check or validate every citizen expression of the reality as they see it - but there must be at least as much truth in what they are sharing as in the cold, dispassionate glance of the edited news org version.

Heady, fast moving times. They require of us that we take responsibility - with crap filters on - for what we choose to pass on.

But enough of the messages, what of the behaviour?

Why have these riots happened now? How could the new tools of coordination and cooperation lead to a truly landscape-shifting revelation for those taking part?

I should say right off I'm not a fan of theft, violence, arson or even of keeping folk from a good night's sleep.

However, the group dynamics and peer-to-peer permissions and mimicry that the human behaviour of rioting demonstrate, do hold a grim fascination for me.

So, why now? Those dismissing the London Riots as one long acquisition spree by thieves fail to answer that simple question.

If greed were the key, why this summer, not last? The answer may lay in a longer term period of joblessness and hopelessness - yes the result of policy decisions.
But it also took:
  • A crowd
  • A state of agitated excitement,
  • The ability to organise.
  • Permission to act out of line (in a co-ordinated way)
These factors came together on Saturday night in Tottenham.

But they could have come together in another crowd with another cause to be excited.

What of our flock turner? Someone has to start a riot. Someone has to grant the permission to act out of line. And in so doing they grant permission to those around them to act, entirely irrationally, in a way they wouldn't ordinarily behave. It may be one person at first - and then another - then a clump join - and then the crowd joins...

This video goes some way to illustrating that - through the medium of dance...


Once permission to behave differently (and badly) was granted (we're back to the riots now) off it spread.
We do what the monkey next to us does - we are Homo Mimicus rather than Homo Sapien as Mark Earls (@herdmeister on twitter) author of Herd, puts it.

We copy - Oh so readily. Particularly if someone has prepared the ground as effectively as the economy and The Government have contrived to do. The conditions are right.

If a Government unit on behavioural economics had planned this nudge themselves, they couldn't have hoped for greater success:
Agitate folk through economic and policy means - give agitated folk a reason to gather - and then all you need is the 'dancing man' to give them a nudge.

Monkey business spread rapidly across London.
Tonight? More parts of London? More Uk cities? (Unfortunately while drafting this post I heard of outbreaks of violence in Leeds and Birmingham to add to London's third night of troubles.

Next: More European cities? MoreUS Cities?
Riotous behaviour is Herd behaviour like any other human behaviour: As hard to identify how to stop as it is to start.

Mark's book has a chapter on riots - and some tips for cops. They focus on breaking the channels of communication (in this case blackberry messenger and twitter), moving swiftly to break up crowds the moment they asssemble, and arresting anyone for even the slightest infringements (removing any hint of permission to act out of line).
And when equilibrium is restored - of course - go looking for the root causes and act on them.
In short, take away the ability to organise, the gathering of agitated folk, the permission to act out of line and once all those are dealt with, the reasons for the agitation.

In 1981 when conditions were similar it took broadcast media to spread the news.And there was no tool of on-the-go coordination - not even mobile phones.

Now everyone taking part carries with them a way of coordinating on the fly. No wonder the authorities are concerned. Trouble can now be organised, directed and refocused in a decentralised way making it exceptionally hard to deploy against for the police.

They've learned from the Arab Spring. Monkey see, monkey do. That's as much of an answer to 'why now' as anything I've seen.

The decentralised 'bad guys' are able to dissipate and reassemble too fast and in too great numbers for the police to act. There are tales this evening of shop keepers boarding themselves inside their shops, having reported mobs outside to the police, only to be told the police don't have the bodies to act.

My guess is that if we don't get a night or two of heavy rain to break the cycle the army will be on the streets by the end of week. And at that point we in the UK may feel a bit glib pointing at 'heavy-handed' responses in Arab lands.

Those at the helm in this and other countries should be less concerned about acts of theft and vandalism and rather more about what the participants are learning.

IF those intent on riotous assembly are indeed coordinating through the social tools now at our disposal, what happens after they are done with expressing anger and frustration through fire and theft?

What if they realise the true power they wield?

What if they do to The Government what they did to The News of The World?

I'd stick a cork in the chianti and get the next flight home if I were on Her Majesty's front bench.

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Thursday, September 23, 2010

Black hats and libellous foolishness

Little pieces of my thinking, loosely connected, can be found scattered around the web in the last few days. To note and point those who may otherwise have missed:
First, my lead column for Marketing Week (the UK-based weekly published for the marketing industry) 'Wear The Right Hat for Brand Advocacy' - my appeal for a recognition of what is bad about social by giving a name to it (Black Hat peer-to-peer).

Second, a blog post I wrote in response to the plans by 400 hotels to sue user-powered review site TripAdvisor - which I chose to publish on the Ninety10group.com company blog. It's titled Sue TripAdvisor? You may as well sue the internet.


I'd welcome your comments of course, in the usual manner.
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Wednesday, March 17, 2010

We don't pass on messages - we share ideas

I've often discussed why traditional advertising can't succeed in social environments.

It comes down to transmission: In social spaces the only way something gets distributed at all is because it is passed from one person who finds it useful/cool to someone else they think will think it useful/cool, too. (image courtesy furiousgeorge81)

So you have to provide messages that can be adapted. Jokes that can be retold in the form people wish to retell them. Unfinished articles. Messy kitchens.

The message you send out isn't how it'll be passed on. It never was anyway. There is more on that in this deck:


But of course what people pass on isn't a message.
"Hey Joe! Come on over here. I've got this great message to tell you!"
That is advertising. That is broadcast. It lacks the human touch.

No, what we actually do is pass on ideas, not messages.

So, what's the idea you want to share, that others can adapt, embrace, contribute to, share?
"Hey Joe! Come on over here. I've got a great idea I want to share!"
That is human. And being human is a bit of a bonus when you want to communicate with other humans.

Thursday, October 29, 2009

Look how busy WE are

The data that drives this was compiled at the end of September 09. Gary is promising to keep it up to date.

Go ahead - scare an old mediapologist :-) We Media before their very eyes.




Monday, October 19, 2009

Radio, music, curation and social objects

I have a lot of time for the guys at One Golden Square Labs as they try to adapt Absolute Radio's broadcast model to the networked world.
The latest example is Compare My Radio. Absolute's Dan Thornton pointed me at it (here's his take) - and I want to thank him for making me think a little about radio, music, curation and social objects. Which is what follows.

Anyways, to start at the beginning, Compare My Radio requires a little data from you about musical tastes before attempting to match you with the most appropriate broadcast channel.

Bravely, users get directed to rival properties as well as Absolute's own.

No doubt the payback for Absolute is the data they receive from users which could, for example, be used to hone Absolute's broadcast output: ie they learn more people want more Britpop, so they play more Britpop.

So, I muse, what may the outcomes be if you include not only the output from mainstream broadcast radio in the search returns, but also the narrowcasting shows of podcasts and the likes of Mixcloud (touted as The YouTube of radio). Tough to do. And I'm not criticising that this is not included in CompareMyRadio - I'm simply indulging in the thought experiment of assuming it could and should.

A model like CompareMyRadio could surface the single largest group by revealing the lowest common denominators (ie, the most searched-for artists).

And that is useful for honing broadcast.

And in a broadcast way, it will also point you at the mainstream channel which is the best fit for your expressed tastes.

But that can't be as good a fit as is available from the long tail (think last.fm and spotify for starters).

Imagine if CompareMyRadio could point you at the channel most fit for you? The outcomes would certainly point you at the long tail more often than they would the mainstream broadcasters. That's because your own itunes playlists are a better fit for you than anything Absolute, Capital, Heart or Radio 1-6 etc can come up with. In a long tail world there are bound to be niche shows that are closer to your itunes playlists than the big broadcasters can ever provide. It's a simple matter of too many niches - and those niches being better provided for by narrowcasting (a tautology of course - if it's niche it must be narrow).

Of course, the mainstream broadcasters may still account for the largest single groups (with viable numbers), but that, in a long tail world, is the minority - and significantly so.

Add peer to peer recommendation to the long tail model and you also add discovery - a role previously retained by the broadcast playlist creators.

When I shared CompareMyRadio with peers on Twitter, one point raised was that in a world of spotify etc, access to a best fit of music selection is less of a differentiator than placing value on the human voice content - does the presenter make you laugh/talk about stuff that interests you? Do your peers trust her and her playlists?

Valuing the presenter; their curation of taste and their human voice, is what Mixcloud does.
In the podcast world (see blogtalkradio for example) we are all potentially radio show hosts now (just as, through YouTube, we are TV hosts and through blogs and other social media we are publishers). And that means there will always be a show with a list of content which is a great match for you.

But we want that to be more than a playlist. We want the show to be the social object around which the community of purpose gathers.

So where does broadcast play it's part?

For many of us, it acts as The Great Reminder.

Two examples:
1. BBC4 broadcasts Synth Britannia on Friday night, I download Tubeway Army's Replicas.
I didn't see the show. But it became a social object around which conversation happened on Twitter. I joined in the conversation on Twitter. It's the conversation, not the show, that inspired the purchase. But the conversation needed the show (the social object).

I also got reminded about Bill Nelson in conversation about the show. He wasn't even featured. But I'll likely be searching iTunes for Art, Empire, Industry later today. Where is the broadcaster's revenue share?

The broadcaster created the social object, inspired the conversation, triggered no end of purchase downloads - but gets nothing.

At the very least, in a YouTube-of-radio model, the creators of the shows (the social objects in this instance) should make one-click iTunes purchases (tickets, dvds, merchandise etc) easy and get a good share of the profit. But that's before the peer to peer interaction has even started - and that's where the greater value for all lays. There's the conundrum - how to track conversations inspired by social objects.

2. I go to see The Pixies with a friend I haven't seen for a while.
The Pixies gig is the social object. My friend and I are brought together (again) by our common interest. We talk about (guess what at a gig?) music. He tells me about another gig we should see together (ker-ching) and I end up buying some of the band's work as downloads (ker-ching, ker-ching)

In short social objects and peer-to-peer interactions are fabulous reminders of what you already knew. The 'value' of that knowledge may be enhanced, of course, by the context. And 'the show' is very much about context.

So what about discovery? Well, discovery all depends on silos and silo walls.
If the community of purpose surrounding a social object has a hard edge, nothing much new is going to arrive.

But if the community is more like most networks of peers, the edges are fuzzy. More people can be attracted to join by the social object (or by their interactions with their peers) but with a different take on the social object. They bring with them different ideas for content (for example) from their peer to peer interactions in their other communities of purpose.

Provided the show host employs feedback loops which constantly remind her that it's their show, not hers, then the new discoveries can be passed on through the show content.
Even without this, the p2p interactions around the show will share (or not) and rate (or score down) the latest collective community discoveries. The most apt will flourish, the least die out.

So, in summary.

Broadcast is The Great Reminder. It has real potential to be the social object around which peer-to-peer interaction happens. And the real magic of this happens in the peer to peer interactions. This is where the purchase reminders and recommendations happen in the main. It is therefore where the greater revenue opportunities lay. Your click-to-buy model (or it's equivalent) therefore has to be portable so peers can take it with them on their journeys.

Narrowcasting serves a greater number of people. All those tiny niches are bigger in total than the largest of your lowest-common-denominator single groups. So if you're really about scale - you know what to do.

Discovery = community created playlists ONLY where communities are fuzzy edged. Bear that in mind when you consider whose communities we are talking about - and where they reside.

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The rate of change is so rapid it's difficult for one person to keep up to speed. Let's pool our thoughts, share our reactions and, who knows, even reach some shared conclusions worth arriving at?